Rising Costs Force Cancellation
Cercle has canceled its planned festival in Mexico, citing financial difficulties that the team says have made it impossible to deliver the event under the platform's standards. The French production company, which has filmed more than 200 shows in extraordinary locations over the past ten years, announced the decision after what it describes as years of rising costs, higher taxes, and shrinking margins that followed the COVID-19 pandemic.
The project began a decade ago with a 10,000 euro investment in GoPros, microphones, a computer, and a mixer. It has since grown into a 35-person operation that coordinates location access, permits, travel, crew logistics, technical equipment, artist scheduling, safety planning, and post-production for each show. The team said the financial gap between production costs and revenue has become harder to manage with each new event.
A Decade of Landmark Performances
Cercle built its reputation by placing electronic artists in locations with historical, architectural, or natural significance. Past broadcasts include Nina Kraviz at the Eiffel Tower in Paris, Carl Cox at Château de Chambord, Boris Brejcha at Château de Fontainebleau, Ben Böhmer over Cappadocia in Turkey, FKJ at Salar de Uyuni in Bolivia, Amelie Lens at the Atomium in Brussels, and Sofiane Pamart under the auroras in Lapland, Finland.
The platform expanded from individual filmed sets into multi-day festivals at venues such as Château de Fontainebleau and Grand Palais. The 2026 edition in France is scheduled for May 22 to May 24 at Musée de l'Air et de l'Espace in Paris Le Bourget, featuring three stages—A380 Stage, Concorde Stage, and Ariane Stage—and 44 artists, in partnership with ESA and CNES.
Artists Offer Direct Support
Several artists responded to Cercle's call for help with offers of direct assistance. Chris Avantgarde said he would waive his fee if Cercle organizes a fundraiser event. Ann Clue replied that she would be happy to help, while &friends said he had donated. ARTBAT, who performed at Bondinho Pão de Açúcar in Rio de Janeiro and later at Cercle Odyssey in Paris at Porte de Versailles, shared support and encouraged the team to stay strong.
Cercle has asked those who can donate to do so through cercle.io and others to help share the message. The cancellation underscores broader financial pressures facing live music projects, where cultural impact and audience reach do not always translate into sustainable economics.

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