Esther Anaya Releases Self-Produced Bass House Track "Triple Threat"

By Matt White

From Classical Conservatory to Festival Stages

Esther Anaya began playing violin as a child and trained at classical conservatories before discovering electronic music. Over the past 20 years, she has worked to bridge the gap between orchestral instrumentation and club culture, bringing the violin into the heart of festivals and bass-heavy dance floors. Her background includes performances at EDC Mexico, Coca-Cola Flow, and Baja BeachFest, as well as high-profile sports events including the Waste Management Open 2025.

Breaking into the industry as both a DJ and instrumentalist presented challenges, particularly in a male-dominated field where the fusion of violin and EDM was not widely understood. Anaya credits her live performances with proving the concept, building her fanbase through energy and collaboration rather than explanation.

A Track About Taking Up Space

According to Anaya, "Triple threat is about owning who you are and embracing your talents, voice, and identity. It's a song to remind you to take up space, disrupt the status quo, and not shrink to make others feel comfortable."

The track arrives as Anaya enters the 2026 festival season following a busy 2025 that included the tech-house collaboration "Baseline" with Snoop Dogg and the groove-driven "More Than A Feeling" with vocalist Parker Matthews and Jayem. "Triple Threat" is now available on streaming platforms.

Back to Wire
Release

Esther Anaya Releases Self-Produced Bass House Track "Triple Threat"

PublishedMay 17, 2026
By Matt White
Loading...
Esther Anaya Releases Self-Produced Bass House Track "Triple Threat"
Image via edmsauce.com

TL;DR

Esther Anaya has released "Triple Threat," a self-produced bass house track that she wrote, produced, and performed entirely herself. The Colombian-born, LA-based artist blends live violin with electronic production, drawing on over 20 years of experience bridging classical training and club culture. The release follows a successful 2025 that included collaborations with Snoop Dogg and performances as official DJ for the Los Angeles Chargers.

From Classical Conservatory to Festival Stages

Esther Anaya began playing violin as a child and trained at classical conservatories before discovering electronic music. Over the past 20 years, she has worked to bridge the gap between orchestral instrumentation and club culture, bringing the violin into the heart of festivals and bass-heavy dance floors. Her background includes performances at EDC Mexico, Coca-Cola Flow, and Baja BeachFest, as well as high-profile sports events including the Waste Management Open 2025.

Breaking into the industry as both a DJ and instrumentalist presented challenges, particularly in a male-dominated field where the fusion of violin and EDM was not widely understood. Anaya credits her live performances with proving the concept, building her fanbase through energy and collaboration rather than explanation.

A Track About Taking Up Space

According to Anaya, "Triple threat is about owning who you are and embracing your talents, voice, and identity. It's a song to remind you to take up space, disrupt the status quo, and not shrink to make others feel comfortable."

The track arrives as Anaya enters the 2026 festival season following a busy 2025 that included the tech-house collaboration "Baseline" with Snoop Dogg and the groove-driven "More Than A Feeling" with vocalist Parker Matthews and Jayem. "Triple Threat" is now available on streaming platforms.

Share this transmission
Matt White

Matt White

EDMSource Editor

Reporting on the latest in the electronic dance music community with verified accuracy.

Community Signals

> No signals detected on this frequency.